A review of Marvel’s Spider-Man: Homecoming

I recently wrote a review of the Tupac biopic All Eyez on Me.  Prior to that, shortly after starting my blog, I co-wrote movie reviews with my brother Amahl Dunbar for Marvel’s Dr. Strange and Rogue One: A Star Wars Story – both of the Super Hero and Science Fiction genres.  We followed those two films up with a review of Hidden Figures which had a more historical focus.  In this review we’re returning to the Marvel Cinematic Universe (MCU) with a review of their latest offering, Spider-Man: Homecoming starring Tom Holland (Spider-Man/Peter Parker), Robert Downey, Jr. (Iron Man/Tony Stark), and Michael Keaton (The Vulture).

Amahl Dunbar:  This latest version of Spider-Man was designed to fit neatly into the MCU.  For that reason I feel the script was too safe.  It had a couple of twists I didn’t expect, but I felt the biggest surprises were the explanations of his powers for this version of the character which differed from the previous versions.  As an inventor myself, I really enjoyed the winged flight suit worn by Spidey’s villain, the Vulture, portrayed by Michael Keaton.  Whenever the Vulture suit was on screen, I was almost taking notes in my head regarding designs and how something like that might work in the real world.

Anwar Dunbar:  I think Spider-Man: Homecoming was well worth the wait and anticipation.  I won’t give an overview of the whole movie so as not to ruin it for anyone who hasn’t seen it yet.  Instead I’ll just touch upon what stood out to me.  Spider-Man: Homecoming tells the story of the Tom Holland’s Spider-Man who has had two previous incarnations (Toby Maguire and Andrew Garfield).  As Amahl stated, the story was now intentionally told as a part of the MCU.

I think Tom Holland played very well as Spider-Man/Peter Parker albeit slightly younger than Maguire’s and Garfield’s renditions.  What stood out to me though was how the writers modified the story in comparison to the previous versions where a key thread was the murder of Peter’s Uncle Ben, and his subsequent tending to his elderly Aunt Mae.  In this version, Aunt Mae (Marissa Tomei) is much younger, and there is no mention of Uncle Ben up to this point.  There were other slight changes to some of the other characters – specifically a more ethnically diverse cast.

In Uncle Ben’s absence, Peter Parker’s mentor has become Tony Stark/Iron Man which we first saw in Captain America: Civil War.  It creates a much different dynamic but it causes Spider-Man to contemplate joining the Avengers – a major underlying thread of the story.  Speaking of the Avengers, the writers and director did a masterful job weaving the Spider-Man: Homecoming story into the events of Captain America: Civil War and remind us that Peter’s journey is not happening in isolation.  The same is true for Michael Keaton’s character the Vulture.  His story is also not happening in isolation and instead is a part of the Avengers story arc.

The ending surprised me in numerous ways but mostly in terms of the characters.  As Amahl discussed about the Vulture’s suit, I thought the technology was very impressive, particularly the Stark Industries version of the Spider-Man suit and all it could do.  I really enjoy how the Marvel writers weave science into their stories in general.  Overall I thought the movie was a lot fun and kept the trademark humor and whit of the Spider-Man franchise.  Spider-Man: Homecoming does a good job keeping our MCU stomachs full while we wait for Thor: Ragnarok, Black Panther, and Avengers: Infinity War.

Thank you for taking the time to read our review.  Our Twitter handles are @amahldunbar and @BWArePowerful.  If you liked this review, please do click the “like” button, leave comments, and share it.  If you’ve found value here and think it would benefit others, please share it and or leave a comment.  To receive all of the most up to date content from the Big Words Blog Site, subscribe using the subscription box in the right hand column in this post and throughout the site.  While my main areas of focus are Education, STEM and Financial Literacy, there are other blogs/sites I endorse which can be found on that particular page of my site.

A review of All Eyez on Me

I was originally going to write my next movie review on Spider-Man: Homecoming, but All Eyez on Me came out of nowhere.  I first saw the trailer a couple of weeks ago, when going to see Alien: Covenant.  I saw the movie shortly after it was released, and subsequently felt compelled to write something about it.  

All Eyez on Me starred Demetrius Shipp Jr. who played the late and legendary Hip Hop recording artist/actor Tupac Shakur.  I immediately thought Shipp was a spitting image of Shakur when I first saw the trailer, and he didn’t disappoint in the film.  Shipp masterfully captured Tupac not only in terms of looks, but also in terms of verbal and non-verbal communication, and even in the way Shakur bobbed around dancing in his music videos, and in the recording studios. 

Similar to Straight Outta Compton, the movie tracked Shakur’s early life – going back to his pre-teen years starting with his mother’s membership in the Black Panther Party.  It further showed his family’s move to Baltimore, and then his initial move to the west coast.  It touched upon his friendship with Jada Pinkett-Smith – a source of controversy as Pinkett-Smith subsequently released a statement saying that the movie wasn’t entirely factual content-wise. 

All Eyez on Me further chronicled Tupac’s ascension to stardom first in music and then on the movie screen in addition to the problems that riddled his life and career.  Similar to many Hip Hop artists, his career was mired by money issues in addition to violence which ultimately ended his life in 1996 while signed with Suge Knight’s Death Row Records.  Similar to most artistic geniuses, he was taken from the world early just as he was on the cusp of going to his next creative level and expanding into other areas; record label ownership and screenwriting projects similar to Ice Cube.

While my favorite all time Hip Hop group is Gang-Starr, my interest in Tupac changed over the years.  I was very much a fan of Digital Underground as a young teen and didn’t know he was actually a part of that group until he released “Brenda’s Got a Baby” – a more socially conscious track than most of what the Underground had produced.  I took a liking to his track “If My Homie Calls”, and even bought a copy of his record “Strictly 4 My NIGGAZ”.  I followed him from a distance as he blew up in movies, and then started to hear about his run ins with the police, the rape charge which put him in jail, and finally when he got swept up into the center of the East Coast-West Coast Feud which arguably took down both him and the Notorious BIG

Simply put, Tupac was genius.  His music embodied the anti-police and black power themes of the Black Panther Party while at the same time telling the stories of young black men in the inner cities.  He released conflicting tracks like: “I Get Around”, “Keep Ya Head Up”, and then “Dear Momma” – a source of jokes at the time.  The track that really grabbed me though was the solemn and dark, “So Many Tears” which he released when he was in jail and reflecting on his life.  He used a double in the video who wore his signature bandana and loose fitting clothing.  My favorite track he created once he joined Death Row Records was “Gangsta Party” where he teamed up with Snoop Dogg.

In the mid-1990s as an undergraduate, I interestingly took a liking to Smooth Jazz.  As a whole I pulled back from the Hip Hop scene.  A bit of a bookworm at the time, I didn’t particularly understand Tupac’s glorification of the “THUG” lifestyle and what it represented though I still respected his articstic brilliance and felt the pain and loss of his death – still unsolved to this day similar to that of the Notorious BIG who was also murdered shortly afterwards.

I would recommend seeing All Eyez on Me.  The movie embodied a couple of the principles of my blog; empowering others and teaching others how to succeed – sometimes by teaching what not to do.  The movie showed the complexity of Tupac’s life, and similar to Straight Outta Compton, it showed the importance of choices, and being in control of one’s financial destiny – something many recording artists of that era grappled with.  Also similar to Straight Outta Compton, if you listened to Hip Hop music in the early 1990s, you’ll find yourself singing along, nodding you’re head, and bouncing your arms up and down in the theater.  You’ll also recognize signature scenes from movies like Juice, and Above the Rim which Tupac starred in.  Hill Harper plays a prominent role in the film, interviewing Tupac from jail.  Interestingly, the actor who played Notorious BIG (Jamal Woolard) in the movie Notorious, reprised his role in this film, though all new actors were used for the prominent members of Death Row Records.  There was also a cameo by NFL wide receiver Desean Jackson.

Thank you for taking the time to read this post. If you’ve found value here and think it would benefit others, please share it and or leave a comment.  To receive all of the most up to date content from the Big Words Blog Site, subscribe using the subscription box in the right hand column in this post and throughout the site.  Lastly follow me on Twitter at @BWArePowerful.  While my main areas of focus are Education, STEM and Financial Literacy, there are other blogs/sites I endorse which can be found on that particular page of my site.

 

A review of Marvel’s Dr. Strange by Amahl and Anwar Dunbar

As described in my bio for the Big Words Blog Site, both my brother, Amahl Dunbar, and I are “Fanboys” and have a love of science fiction and superhero feature films such as those produced by DC and Marvel.  In addition to having an abundance of books in our home at an early age, we both developed a love for comic books.  These books were important tools for both of us continuing to learn how to read, speak, and even to think, imagine, and ponder subjects like science.  While I ventured away from this love in high school when basketball became my love, and then later salsa dancing, Amahl never strayed from it.  He even started exploring the worlds of animation and visual effects, and eventually contributed to the production of the film The Space Detective produced by the Swamp Media Group.

His sticking with it actually allowed me to come back to the comic book/science fiction world in my early 30s when he turned me on to DC’s classic graphic novel, Kingdom Come, written by Mark Waid; featuring the brilliant illustrations of Alex Ross.  I loved that book and had never seen anything like it.  Amahl also shared DC’s The Watchmen with me prior to the movie adaptation.  I also have a copy of the Dark Knight Returns which I’ve yet to read because of my busy schedule.

Over the years we’ve developed a ritual of watching these movies, sometimes independently and sometimes together, and then convening afterwards to discuss what we saw and thought of that particular film.  Our debriefing sessions are either in person or on the phone, but we have them nonetheless.  We’ve thus decided to try our hands at conducting our very first movie review for publication.  The movie is Marvel’s Dr. Strange starring Benedict Cumberbatch.  The following is our candid review, thoughts and reflections on Marvel’s latest film.

Anwar: Well Bro, I’ll start this off and we’ll just see where it goes.  As you know, when we were younger, I was more of a DC guy and was heavily into Batman and the Justice League International.  G (our best friend Gabriel Smith), was more of a Marvel guy.  In fact, I remember him always going on and on about Captain America.  You were kind of a jack of all trades with knowledge of both the DC and Marvel universes, and amazingly, you sat in the middle with knowledge of both.  I’m saying this to say that aside from Spiderman, who was heavily featured in numerous TV cartoon series throughout our youth, and even The Electric Company back in the 70s and early 80s (snippets with real life actors), much of what I know about Marvel and its characters today, I’ve learned through their movies.  And I love The Avengers films.  I would say Robert Downey, Jr., as Tony Stark/Iron Man, is my favorite character.  Indeed, their entire cast of actors and characters is stellar.

I’d heard of Dr. Strange and seen images of him, but I didn’t really know what to expect when I walked into the theatre other than the fact that there would probably be an Easter Egg at the end of the movie – a hallmark of the Marvel movies, in addition to cameos by Stan Lee.  We both saw the movie, but can you give an overview of the story?  To any readers, if you haven’t seen it yet, you might want to stop reading here.  This might spoil it for you.

Amahl:  Sure.  Marvel’s latest film offering is Doctor Strange, a blend of Jedi-style sorcery, with world shifting special effects. Benedict Cumberbatch leads an ensemble cast as Dr. Stephen Strange, an elite trauma surgeon who becomes a magic wielding superhero.  The film has the typical hero’s journey similar to The Matrix or Harry Potter.  Cumberbatch is smart not to play Dr. Strange in the same way that Robert Downey, Jr. plays Tony Stark.  The mature cast seemed specifically chosen for their ages and educated appearances.

Dr. Strange’s photographic memory and speed reading ability allow him to move through his sorcerer training at an accelerated rate.  If you’ve ever met someone who can speed read or has a photographic memory, you realize how special they are because they can operate at almost a computer-like level.  These two attributes allow Dr. Strange to quickly become a powerful sorcerer.

The role of the mystic teacher is brilliantly played by Tilda Swinton, as The Ancient One.  She steals every scene she’s in with clever philosophy, comedy, and good hearted unpredictability – the unpredictability that’s required to keep adult students, like Strange, interested in learning.  Swinton’s Ancient One is as good a science fiction mentor as Morpheus, Yoda, or Obi Wan Kenobi in the Matrix and Star Wars franchises.  She takes her mentorship one step further than other mentors by telling Strange and the audience exactly what he needs to do to be great versus good.

Anwar:  Interesting.  What stood out to you about the film?  For me much of the imagery and special effects reminded me of Inception, starring Leo DiCaprio – with the moving and shifting scenery and landscapes.  The costumes and the whole sorcery piece reminded me of the movie The Last Airbender.  I also recognized some of the characters from Spiderman: The Animated Series from the late 1990s such as Mordo, portrayed by Chiwetel Ejiofor and Dormammu, voiced by Jonathan Adams, the ultimate antagonist of the film.  I really liked the travel through the dimensions, and seeing Dormammu initially was definitely pretty scary with the two ominous eyes in space-time looking on.

Amahl:  I think you hit several of the main points.  What stood out to me is how these sorcerers were presented, and knowing that Dr. Strange would eventually join the Avengers or help them.  Again, these sorcerers were portrayed kind of like the Jedi.  Dr. Strange was likened to Obi-Wan Kenobi without a light saber.  Their manner of dress had an Asian nod to it.  They were not just sorcerers, but also martial artists as well.  Typically when you see Dr. Strange, he’s always wearing his red cloak.  Seeing him without the cloak, underneath it looks like a Jedi-like costume.  So there was a lot of thought given to what they were going to wear and how they were going to be perceived – not as Harry Potter-type sorcerers or like witches and wizards from other franchises, but a very specific kind of a warrior-sorcerer look.

Anwar:  I had to get used to seeing Benedict Cumberbatch as a hero because I’m used to seeing him play a villain, such as when he played Kahn in Star Trek: Into Darkness, or playing some kind of high-ranking government operative/spy/politician.  It was similar to when I first saw Robert Downey, Jr. portray Tony Stark/Iron Man.  It was like, ‘Wow.  Robert Downey, Jr. is a hero.’  I was used to seeing him play so many other things – especially in the 1980s in comedic teen movies like Weird Science, and then later as a villain in US Marshals.

Amahl:  Absolutely.

Anwar:  I also had to adjust to watching Cumberbatch exhibit humor.  In every Marvel movie there’s usually huge element of humor in their scripts, though I wasn’t used to seeing Dr. Strange being absent minded at times, and trying to be funny and witty.  I won’t give it away, but his solution to stopping Dormammu was definitely creative, and funny.

Not long ago, we also talked about the fact that in the comic books, Dr. Strange has more of a Latino or Asian look.  Is that correct?

Amahl:  Some friends of mine who know more about the Marvel Universe than I do, told me months ago that the character is supposed to be Latino, which gives a whole new perspective to viewing the film – knowing that the character in the comic book is Latino versus the character in the movie being European or British.  That’s not to say that the movie wasn’t good – it would’ve just given the movie a completely different spin – seeing that character played by Michael Peña who was actually in Antman or Philip De Blanc – any good looking Latino actor – it would’ve given a completely different vibe to the movie.

Anwar:  As I was watching the film, I noticed that The Ancient One told Dr. Strange that The Avengers were the guardians of the non-mystical world and they themselves were the guardians of the mystical world, and I was in fact wondering if this particular story would fold into the upcoming Infinity War.  As per usual Marvel gave a nice Easter Egg during the credits and it turns out that it is going to be a part of the larger story that the Marvel Cinematic Universe is constructing – they’re all going to come together at some point and they’re all going to fight Thanos, I would imagine.

Amahl:  There’s also a shot of the Avengers’ Mansion at the beginning of the movie.  I think the movie opens with Dr. Strange in surgery where he practices medicine.  In the following scene when they show him getting ready to go to the party, there’s a push-in shot in the city and you see the Avengers’ Mansion in the mid-ground.  It’s not in the foreground, nor in the background.  It’s in the mid-ground and it’s large enough for you to see it.  And that push- in shot goes into Strange’s apartment and it shows that he actually lives close to the Avengers’ Mansion.

Anwar:  As per usual with these little details, I completely missed that.  Okay Bro, I think that wraps up this review.  You have a lot of experience working with visual effects, and you’re currently working on your own Superhero trailer right?  How long have you been doing that?

Amahl:  Well, I have been working on a Justice League trailer probably for about two years in my spare time.  Most of it has been during mornings and early afternoons before I go to work while I’m either eating breakfast or lunch.  During those times I figure that the 10-15 minutes that I’m actually eating is time that I can do this; it’s the best time for me to work on it.   It involves ripping footage from DVDs, organizing the footage, and editing it down to shots.  I’ve had to figure out which shots from these movies to use – the Christopher Reeve Superman movies, the Michael Keaton Batman movies, some of the latest Christian Bale Dark Knight movies, and finally Lynda Carter’s Wonder Woman television series.

I’ve taken shots from each of these movies and shows, and I’m going to try to tell a narrative through a trailer.  The trailer could also be viewed as a “Visual Treatment”.  A “Treatment” in Hollywood is basically a description by paragraph of what a movie or TV show would actually be.  You can view this trailer as a treatment – of what my ideas would be for a Justice League movie.  I’ve included some of my own visual effects, and there is also some 3-D animation so that every shot that you see isn’t directly pulled from a movie.  Some of the shots have actually been edited or enhanced to further tell the narrative that I’m going for.

Anwar:  When it’s completed it will be on your YouTube channel?

Amahl:  Absolutely.

Anwar:  And will people be able to access that through you Twitter page?

Amahl:  Yes, the links will be available in places where people can easily see them.  I’m actually looking forward to connecting with some Comic Book stores here in the Buffalo area and saying, ‘I’m a local artist and I think you would find this very interesting.  Here is the link.  If you like it, share it with your customer base.’

Anwar:  Making trailers is actually a pretty big deal on YouTube.  There are people making trailers and videos about their favorite franchises just for the hell of it, and sometimes leading up to the release of the next movie.  A lot of fan trailers were made leading up to Star Wars Episode III: Revenge of the Sith, for example, and that’s very impressive.

Amahl:  Absolutely.  If fans have their own episodes or even make their own movies, this is a new way for them to show their appreciation for the franchises.  It’s not just, ‘I’ll buy a movie or I’ll buy a t-shirt or I’ll buy a DVD collection of the show,’ but fans can show their appreciation of the franchise by making their own short videos.

Anwar:  Well Bro, I guess that wraps it up.  Hopefully, there are some readers who enjoyed this.  Star Wars: Rogue One is actually coming out in a couple of weeks.  We’ll have to reconvene and talk about that one after we see it as well.  What’s your twitter handle just in case other enthusiasts want to follow and interact with you?

Amahl:  It’s @amahldunbar.

Anwar:  I also have a personal twitter handle, but I’m trying to grow a following for Big Words so I’m going to offer up @BWArePowerful.  If you’ve read this review and like it, please do leave comments and I’ll respond.  It could be something as simple as saying that you enjoyed our discussion.  Thank you and we’re signing off.

If you enjoyed this review, please leave comments.  We plan to do more.  The significance of this review actually didn’t occur to me until afterwards.  In addition to sharing our love for Superhero and Science Fiction media, this type of review is powerful because it was conducted by two African American men, which may or may not be unusual depending on your set of experiences.  If you go on Twitter, there are actually quite a few African Americans enjoying and partaking in this type of activity.  This year I accidentally discovered on Twitter that there is actually a Black Comic Book Festival at the Schomburg Center for Research in Black Culture in Brooklyn, NY every year.  Furthermore, this piece communicates to younger African American kids that it is okay to read, write, think, to imagine and to ponder stories, fictional characters, and science and technology.